Friday, 8 April 2011

BEING A BETTER TEACHER: BETTER BOARDWORK



GOOD teachers plan each class thinking about their students and what will best work for them :

GREAT teachers think over how the class went, what is worth reusing, how it can be reused, recycled, improved. identify what didn't work so well and how it could be rejigged to be more successful.

GREAT teachers never stop growing, never stop pushing and trying and working towards giving their students optimal learning opportunities.

Every aspect of teaching can be improved and optimised, not ever an easy or even realistic task, but always a worthy goal, one to strive for.

Some things however are way easier than others to straighten out, and I want to start with one of the most straightforward: cleaning up your boardwork.

Of course, straightforward is not the same as easy. Just as having a nice neat cupboard is actually a straightforward task, actually maintaining it that way takes work. However with just a little discipline and method, many aspects great boardwork can become almost second nature.



A good teacher caters to learners' visual learning style by backing up relevant points made visually and memorably on whatever type of board she may have available.

A GREAT teacher develops a system to make boardwork clearer and cleaner and include all relevant information possible that may assist their learners.

I suggest the following method to ensure better boardwork

ESSENTIAL ELEMENTS TO INCLUDE:

1. THE CLASS OBJECTIVE
    Why have class at all? what do you expect to achieve? to what degree?  how will you and the students know if the class was successful and worthwhile or not? obviously by stating and checking the practice of the class against an objective.

    Ideally this should be:
    • stated, explained or negotiated at the beginning of the class,
    • referred to as you make steps towards it, 
    • reflected upon at the end of the class - how successful have you been in getting there?
      I therefore recommend never removing it in the whole class, or until the particular cycle has been satifactorily concluded and the objective met.

      2. LANGUAGE and/or LEXICAL FOCUS of the class in one corner
      • This may be already in your mind in planning the class, or it may develop in consultation with your students.
      • This empowers students to search for follow-up information and practice after the class

      3.  LEARNING STRATEGY GUEST STAR in the corner


      As great EFL teachers of course we are bursting with learning strategies. We model them, occasionally name them, and use them implicitly or explicitly perhaps by the dozen or more each class.

      Probably (hopefully?) good language learners ourselves, often we are not even aware that so much of what we try to convey to our students is learning strategy based. We can't MAKE our students learn, (try as we might) but we can help them to discover how best they learn themselves. 'Good' language students pick up learning strategies as if by osmosis. However all students can benefit by our EXPLICIT and SYSTEMATIC addressing of learning strategies, which might include NAMING, MODELLING, PRACTICING and RELFECTING ON these.

      Therefore, as I said, while possibly dozens of learning strategies may be worked with and named I recommend
      • chosing ONE relevant and important learning strategy to be worked with - named, modelled and practiced explicitly in each class
      • putting this in it's own special star-burst corner of the board, the special guest star of the class. 
      4. VOCABULARY COLUMN

      • a fixed column in which new and incidental vocabulary is written as it comes up, with explanation, be it a sketch, brief definition, or synonyms and antonyms. 
      • this can be used at the end of the class for a wind up activity where students are to incorporate all new vocabulary, 
      • record the information to use as the warm-up for the next class; try hangman, or a mime or a circumloction activity as relevant. 
      5. PRONUNCIATION COLUMN
      • also a fixed column, on the other side of the board where likewise troublesome or new words are written up
      • some kind of notation is developed, explained and consistently used to help students with the troublesome pronunciation aspects. 
      • stress might be illustrated by BIG circles and small circles over syllables
      • phonetic script, if used, must be taught to students and practiced in a meaningful and empowering way (a future post will be made on this)
      • an alternative can be to group the word/sound with other words it rhymes with,         
        • eg      bird        construction  
        •           word              /up\
        •            /her\
      • as for VOCABULARY, at the end of the class, you'll have recorded an instant snapshot of all the pronunciation issues that came up during the class for further review and practice

      6. MAIN BODY of BOARD WORK



      Once you have established a clean and predictable place for all these incidental and most important aspects that will come up in each class, you have the main body of your board free for explanations and other work.


      • Exploit this valuable resource  - most sighted people are strongly visual learners
      • Keep it neat
      • Use colours and sketches to extend appeal. =)
      • Any particularly complex point you want to make might be worth planning out the boardwork in advance.
      • Don't let it get cluttered - take time to clean it up once the point has been made, so any new points made can take centre stage. Anything that consistently comes up in a particular class - such as irregular verb forms, or irregular plural forms - may warrant a semi-permanent column space to the side.
      • NEVER leave an error uncorrected - it may be recorded - even unconsciously - by the learner as correct!
      • Have students write on and use the board  as often as possible -For example, rather than have them do grammar exercises in their books, have students write them up on the board as a group, and correct them, handing the marker from one to the other.
      • As far as possible make the board student space, not teacher-only space!

      With just a little discipline points 1-5 soon become second nature.

      Point 6, the BODY of boardwork, continues to be most challenging to me, but always worth striving for, and reflecting on.

       

      Having pranted and prated a bit up there above, as if I manage perfect boardwork all the time, I'd better confess, my own boardwork is very much *ahem* a work in process. Like my cupboards, it has a long way to really meet the standard I am aiming for.

      I have a small board in my home classroom. I'd be happier if it were at least a third bigger, but as is, I need discipline to make it work without getting too cluttered. 

      As you can see below, in this case I certainly let my boardwork get out of control as the class  progressed.
      • There are a few leftover items on the board that should have been removed.
      • I should have put the bit on irregular plurals on the right hand side above the pronunciation column, 
      • I should have kept all the pronunciation work UNDER the heading of that.





      Even so, while clearly far from perfect, my own boardwork truly has improved tremendously thanks to observations from colleagues and supervisors, and it is something I continually try to improve. Just like that clean cupboard, there is always that little something that should be done more neatly and in a more organised fashion.

      Having a system to follow helps see me move towards the BETTER boardwork and helps me be more clear about where I need to improve.  

      I hope these ideas are useful for you! Please add any ideas or techniques of your own you find useful!

      cheers!

        Sunday, 13 March 2011

        teaching 'unplugged' and dogme

        DOGME is a fascinating teaching philosophy which seems to capture many things I am trying to do with my 'freestyle' classes - I am using no course books and trying to go much more student centered in direction of classes. with an emphasis on communicative, authentic language.  all sounds very much in accordance with the points put forth in the wikipedia summary and some other articles I've read.

        See the ten main points as listed in wikipedia

        "Dogme has ten key principles.
        1. Interactivity: the most direct route to learning is to be found in the interactivity between teachers and students and amongst the students themselves.
        2. Engagement: students are most engaged by content they have created themselves
        3. Dialogic processes: learning is social and dialogic, where knowledge is co-constructed
        4. Scaffolded conversations: learning takes place through conversations, where the learner and teacher co-construct the knowledge and skills
        5. Emergence: language and grammar emerge from the learning process. This is seen as distinct from the ‘acquisition’ of language.
        6. Affordances: the teacher’s role is to optimize language learning affordances through directing attention to emergent language.
        7. Voice: the learner’s voice is given recognition along with the learner’s beliefs and knowledge.
        8. Empowerment: students and teachers are empowered by freeing the classroom of published materials and textbooks.
        9. Relevance: materials (eg texts, audios and videos) should have relevance for the learners
        10. Critical use: teachers and students should use published materials and textbooks in a critical way that recognizes their cultural and ideological biases."




        It was all sounding very appealing, however I just read Jo Bertrand's article  which sounds a lot more DOGMAtic on a number of points than I am willing to go. Paradoxically, I see it as both too inflexible   and too anarchic for me - or most of my students -  to feel comfortable using in such a way.

        Inflexible in terms of methodology, what a teacher must do to teach DOGME style. (And I'm going to call it DOGME style, because I still can't quite get over what an ugly name chosen for a rather nice if idealistic teaching philosophy...)

        Anarchic in not allowing the teacher to pre-plan a route through the class, or indeed perhaps, to plan the class at all. Even the multiple contingency plan addendums to plans that all teachers probably get good at leaping around in is too structured to meet true DOGME style teaching. It takes a special kind of teacher, with a special kind of character and charisma, and an encyclopedic memory for effective activities (- and I DO know there are some of them out there! bless them! -) to be able to orchestrate a sterling, top-notch class, filled with meaningful learning opportunities off the top of their head, on the fly, as it were, right there and then in the classroom, and with no use of outside resources.

        No, let me correct that; I doubt even this type of teacher - and we have probably all had to try to be this type of teacher at least once or twice in our careers - is able to orchestrate their MOST successful, sterling top-notch class filled with meaningful learning opportunities in these circumstances.

        I am a good teacher. I have had my moments of glory - as well and misery -  and the occasional DOGME style no-resources SUCCESS. BUT I am not comfortable - actually I am quite a LOT horrified - by the prospect of going into a class without a plan, and contingency plans, and a few great extra activities up my sleeve, and knowing I can provide rich and varied input for students - reading, listening, multimedia -  to stimulate the learning process.

        Most teachers I know I can't working optimally or even happily under DOGME style restrictions as outlined by Bertrand.

        And I suspect this might be even more the case for students. The idea sounds more feasible for upper intermediate an advanced students, but for lower level students the concept is more challenging. Even with my very small groups, I can't see my students being happy just coming to class and identifying in each what they wish to work on. Particularly in the case of my beginners, I just can't see it working effectively for them to be establishing what they need in each class, when we all know,  what they need is EVERYTHING.

        SO while I love what I have read of the general philosophy of DOGME teaching (except for that awful name!) - I am less than convinced by some of the claims of the optimal way to bring the principles into the classroom for all but perhaps a handful of teachers who have the necessary package of tools incorporated in their very personalites to make it happen just right.



        This shall be a point of further reflection and practice, how it works for me and my students and
        I shall be returning to this topic as I continue tripping happily with my students down my course-book free path.

        Monday, 28 February 2011

        teaching kids EFL

        Many teachers I know working in teaching English as a Foreign Language really are more interested and more comfortable, more experienced and trained in teaching adults - I include myself here. Be that as it may, it seems so many of us must serve at some time or other, like it or not - teaching children and teens.

        The skills necessary to do well at this we try to grab somehow, and most of us rapidly see we need to structure classes and activities very differently from how we might go about teaching out  adult students. We fluff and flounder a bit, and even when we do somehow manage GOOD classes, we come out WAY more exhausted and bewildered by it all than we might teaching adults.

        Last year I was fortunate to attend a small workshop on using storytelling to teach children EFL with Pan Macmillan author Angela Llanas. Angela originally trained in theatre, and her workshop was an absolute treat, most entertaining, and also full of highly useful ideas.

        A quick summary of some important points I picked up

        • "Relax and they'll have fun. Make them love you and they'll learn". Think about it as play and fun, not study and work.
        • PARTICIPATION is the key: if they're not engaged with the langugage, they're NOT learning
        • We can't expect kids to TALK ABOUT things as we might expect adults. They need a lot of structure and frameworking. 
        • CHORAL REPTITION, and much REPETITION in general, is GREAT for KIDS
        • Use strongly structured stories, the details of which you and they can embellish. CHORAL STORIES are GREAT. (If you think about it, even first language stories for kids are like this, with variations on the same situations and structures over and over)
        • Use lots of sound effects, visuals and guessing. 
        • First you can have the kids provide sound effects for the story you tell, then YOU make the sound effects and THEY tell the story
        • Use "CLASSROOM friends" to stimulate communication: puppets, dolls and visuals. Children are not very likely to speak to each other or even you in the foreign language when a first language is available, but they respond delightfully to puppets and such if they're told these speak only the Foreign Language.
        • Teach in BLOCKS, employ frequent changes of mood and activity.
        Related to this, perhaps the most valuable thing I picked up and have benefited from applying in my classes, both with adults and children:
        • We can concentrate and be fully engaged by an activity roughly for the AGE that we are. eg, a 2 year old concentrates for 2 minutes, an 8 year old for 8 minutes, a 12 year old for 12. after that they need a CHANGE of activity. 
        • Up to around 20 years old, which is roughly the MAXIMUM time of MAXIMUM engagement in any one activity. after that, our attention tends to waver sna needs some kind of pick-up.


        IF you have any other tips, I would be delighted if you would share them!

          Friday, 18 February 2011

          more excellent listening resources

          the more INPUT you get, the easier it becomes to create OUTPUT

          here are some more excellent sites for interesting listening

          REAL ENGLISH LISTENING - featuring short, unscripted audio
          http://realenglishlistening.posterous.com/#!/

          some easy dialogues which you can listen to and read
          http://www.eslfast.com/easydialogs/index.html

          and my all time favourite, the wonderful, very complete and versatile

          www.elllo.org

          Tuesday, 15 February 2011

          excellent ready made resources for ESL/EFL classes!

          very wonderful ideas, flashcards, roleplays...



          a real treasure trove to enrich your classroom and your teaching practice

          I absolutely recommend you explore

          http://bogglesworldesl.com/